Well, that is a function of the genre in which I work. In other words, you write these books to help other people through difficult times. So … Does it become difficult to separate the two? When I think about "The Notebook" and the story that it tells, it is really a story about "what if". Yeah, I think it is a great film. Writing well is hard. Comments like those are always very moving to me and I am always profoundly touched by the fact that people draw so much out of some of the work that I have done.
One is not better than the other. Characters, reader demand, Hollywood interest. This is a book and a movie that I believe can touch a great deal of people from all age groups. Do these actors fit the look and feel of what you envisioned when you first came up with the idea for "The Notebook"? But I just try to vary it primarily because I don't want the reader to get bored. Did you ever imagine that all of this would transpire as it has over the last 10 years? My intent is to have as many people enjoy it as possible. Final question for you, I was on your web site the other day and was reading some of the Comment Board postings and there was one that really caught my eye. In addition to writing, reading, and spending time with my five children, I run 30 miles a week, lift weights four times per week, and practice Tae Kwon Do. Love stories can differ in theme, romance novels have a general theme—"the taming of a man. It makes you feel I'm just glad that readers like my books. For instance, legal thrillers generally have a court room scene on center stage, techno-thrillers use the world or a city as their setting. So then I put it in, I edited it to make it fit with any changes in the story … [and went] back to the love story. That is primarily because this is a book about people. I was looking through the cast list for the film. It was a way to fill in all those blanks. It does as you mentioned previously, goes to the old "what if" question. Why did you decide to take this open-book approach? My brain hasn't gone from two to 10 gigabytes in the last 10 years. Today, the North Carolina husband and father is still consistently delivering what his legions of fans have come to expect: Some characters are easier to write than others, and that just is the nature of who they are in their personalities, I suppose. Last February 5, the author of international bestselling novels Nicholas Sparks saw one of his works released on movie theaters for the eleventh time. The key[s] to writing Kevin, the antagonist, were the decisions I made up front when it came to the creation of that character. Having read "Three Weeks with My Brother" Sparks' autobiographical memoir I realize that you were not brought up in that area. Do you read your reviews? As he recalled in an interview, he regularly prays and attends church mass every Sunday as what his parents taught him. Further, I wanted it to be a subtle degradation over time with Kevin, so that you would feel him gradually losing his mind, so to speak.
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